10 Changes I’d Make to the 5D Mark-III
- At December 21, 2013
- By John
- In Camera, EOS 5D Mark III, Gear, Uncategorized
- 0
OK, I know the 5D mark-III is a dam fine camera, and for many it may be approaching perfection, but while I love my 5D-III there are still many aspects of the current Canon DSLR design that really infuriate me.
Read More»Big Stopper Shocker
- At October 16, 2012
- By John
- In Filter, Gear, Location, UK Landscape
- 3
The Ultimate 10 Stop Filter
I’ve owned a Lee Big Stopper 10-stop filter for almost 2½ years now and have become quite a fan of long exposures and the effects that this filter can produce. It’s become a staple accessory to many a photographers kit bag and it opens additional artistic opportunities to a landscape photographers day once those golden hours have disappeared. Prior to the Big Stopper I used a B+W 10 stop filter, which is of the screw-in type, Read More»The Canon 6D – A New Challenger to the 5D’s Reign
- At September 29, 2012
- By John
- In Camera, Gear
- 1
A New Full Frame DSLR From Canon
As an occasional visitor to the Canon Rumours website I was aware that a new Canon DSLR was imminent but I must admit the announcement of the EOS 6D at the 2012 Photokina show took me by surprise. I, like a few other I suspect, were contemplating an EOS 3D, something that would sit in-between the 5D MIII and the EOS 1DX in Canon’s line up. However the more I look at the 6D’s specs the more this camera seems to make sense, so lets take at look what’s in stall for potential 6D owners:
Read More»When Lightning Strikes
- At June 14, 2011
- By John
- In Accessory, Gadget, Gear, Gear Review
- 0
AEO Lightning Strike – Firsts Looks
I’ve often admired some amazing photographs of lightning and although I’ve read plenty on the technique of how to achieve such shots I’ve never had any success myself. All my attempts have been a complete disaster even when I’ve know the shutter was open when the lightning flashed.
Read More»New Prototype 200-400mm f/4.0 Zoom Lens goes on Show from Canon
- At February 08, 2011
- By John
- In Gear, Lens
- 0
Equipment Announcement
“LAKE SUCCESS, N.Y., February 7, 2011 – Canon Inc. today announced the development of a new super-telephoto lens, the EF 200-400mm f/4L IS USM EXTENDER l.4x, for use with all EOS SLR cameras. A prototype of the new lens will be exhibited at the CP+ tradeshow, held in Pacifico Yokohama, from February 9 – 12, 2011.”
Much to everyone’s surprise Canon announced a whole host of stuff yesterday including two new entry level DSLR’s, two new flash units, and upgrades to their wildlife long focal length specialist lenses. The latter comprise the EF 500mm f/4.0 MII and the EF 600mm f/4.0 MII, both of which are expected to be commercially available some time in March, but as you’d probably expect these are going to be very, very expensive and as such only available to serious pro’s and those blessed with wads of spare cash.
However, what really caught my eye was the announcement of a prototype EF 200-400mm f/4.0 IS USM EXTENDER 1.4x lens. That’s some title! Nikon wildlife photographers have long since been extolling the virtues of the Nikon 200-400mm f/4 AF-S lens which also received an upgrade last year. This is a lens favoured by British wildlife photographer Andy Rouse and is generally accepted as just about the best multipurpose, wildlife zoom lenses around. It’s also a gap in the market place that Canon had failed (as yet) to match. Canon do of course have their EF 100-400mm f/4.5-5.6mm IS USM lens ( one of which which I own), but this design is getting quite long in the tooth and whilst it performs admirably on sensors sizes up to 12mp, todays 21mp plus sensors highlight it’s short comings in the digital age.
If you examine the press release picture above you can’t help but notice that peculir looking bulge on the left side rear of the lens. This houses the in-built 1.4x extender, and has a lever just above to engage or disengage the extender elements. The 1.4 extender can boost the zoom range from 200-400mm to 280-560mm. On an APS-C sized sensor then this would be the equivalent of a staggering 448-896mm! However, don’t get your hopes up as Canon failed to state whether this configuration will autofocus on the semi-pro and consumer bodies. The new lens will feature Canon’s high-performance Image Stabilizer technology and advanced optics materials such as fluorite crystal to provide top notch optical performance.
You may also notice the camera has a fixed tripod collar, 3 stabilization modes and also features a Focus Pre-set button. All new stuff.
A a wildlife photographer this sounds like a dream lens and one I’d truly love to own, however it is just a prototype and still obviously at the development stage. I just hope that when it does eventually hit the market it’s not going to be priced so ridiculously that photographers like myself will never be able to afford it. Maybe I am just dreaming though!
Tripod Woes
- At November 10, 2010
- By John
- In Gear, Gear Review, Tripods & Heads
- 0
Equipment Failures (Gitzo GT3541LS Tripod)
I have had my fair share of disasters in the past with photographic equipment. Usually it’s odd items like scratched or broken grads and lost lens caps but I also have had my tripod blown over at Robin Hood’s Bay damaging my EF 24-105mm lens and a fall in the field in Africa which required a new IS unit to my EF 100-400mm zoom lens. Fortunately in both cases I was insured and the bulk of the repairs were covered.
Recently however, I had a rather an odd mishap and lost (yes lost!) a leg from my tripod. This was from my much prized Gitzo GT-3541-LS carbon fibre tripod; not a cheap item either and a tripod you expect to be built to the highest of standards too. But I guess you’re wondering how on earth I could loose a leg. Well it’s not quite as difficult as you may think.
Read More»Wish List for the Canon 5D Mark III
- At September 14, 2010
- By John
- 1
Equipment Editorial
Now that I’ve proclaimed my top ten features I’d like to see in Lightroom 4. I thought I’d do the same for my other weapon of choice, my Canon 5D Mark II. The 5DMII was released back in September 2008, so has now surpassed that 18-24 month period in which camera models are typically superseded by newer and more feature packed versions. The annual Photokina show in Cologne is fast approaching too, which is normally the stage for the major manufacturers to announce their latest and greatest. Having said that, Canon have recently announced several new lenses, a new EOS 60D camera body, and probably stunned the Camera world by announcing the largest ever CMOS sensor at 120 MP. So can we expect anything new, well if you take heed of the latest internet rumours there will probably be no 5D Mark III till well into 2011?
The current 5D Mark II is a fine camera and for many has been proclaimed by many as just about the best camera out there for landscape photographers. There’s no denying it’s been a huge hit both with professionals and serious amateurs alike and in capable hands can produce superb images. It does have it’s ‘Canonesque’ quirks however, many which I highlighted in my article Canon 5D II – One Year On, and I doubt Canon would ever radically change or vary from their basic design, so I seriously doubt many of my wishes will be met. I’m not a huge fan of the video functions, which looking at the 7D and 60D seems to be the headline grabbing features. It’s not that I dislike video features, but just that being a still’s photographer, they are just not on my radar as priority items. Lets get back to basics please. Anyway here are my top ten, in no particular order:
- Built in GPS: this must be a long overdue feature and probably an easy one to implement. There are many GPS tracker devices out there (I have an AMOD AGL 3080) and the prices have dropped significantly in the last year to where you can pick one up for not much over £60, so the hardware addition should not be that expensive. Currently however, getting GPS data back into your RAW file EXIF metadata is still a tad fiddly although can be achieved by free software. I certainly hope Canon don’t take the route of an add on GPS device that sits in the hot shoe, that would be disastrous and no doubt expensive to the consumer. If GPS were in-built this would be an upgrade deciding feature for me.
- In-Built HDR processing: a complete wild card this one, but wouldn’t it be nice. If know the purists will always want total control on merging multiple exposures, but I’m sure Canon could come up with something pretty good.
- Electronic Level: this feature is present in the new EOS 60D and has been a regular features on competitors cameras for a while, so a must for any new Canon Camera now. At last we’ll be able to ditch the hot-shoe bubble levels, but we need to be able to see this through the viewfinder not just on the rear screen.
- Quicker and Better Focusing: an absolute no brainer here, the current 9-point focusing system is long overdue an update, and many had hoped would have been updated with the 5DMII. The 7D features a 19-point focus system and even the new 60D sports a 9-points system. Improved focusing in low light would be a big hit too.
- Bigger, Better and Brighter Screen: the 5DMII screen was a big improvement over the 5DMI, but I think there is still room for a much, much bigger screen. Wouldn’t it be nice to have one where we can actually use to made subjective decisions on our photographs. Oh and please, please can we have a one-touch button to zoom straight in for a 100% preview!
- 3 Stop or greater Compensation: It’s present on the 1D’s and needed on the 5D Mark III. Many photographers are now experimenting with long exposures and filters such as the Lee Big stopper and B+W’s 10-stop filter have greatly extended the landscape photographers day. You can just about see through the 10 stop filters with Live-View in normal light, but forget it in low pre-dawn or evening light. Canon need to take heed of this expanding and popular aspect of photography and allow tLive-view screen compensation so we can compose, focus, and adjust grads even through a 10-stop filter.
- User Configurable Auto-ISO: auto-iso is a great feature but it’s a poor implementation of this on the 5DMII. Currently Auto-Iso chooses ISO values between 100-3200. Please let the user specify the upper and lower limits. It seems Pentax can manage this, so why not Canon?
- Proper Camera User Settings: again, a great idea but a totally useless implementation. User settings should be a useful starting point only. If you then adjust the aperture, ISO or shutter speed it should remain at those values. If you (like just about every other photographer I hasten to guess) have probably got got your auto-power off set for a short interval (as we all wish to preserve battery life), then as soon as your camera powers off, your User Settings are set back to their starting values. I don’t know any photographer uses the same settings for every photograph, so why on earth make them work that way? Make them work properly and give us several more!
- Ergonomics – Tactile Buttons & Analogue Controls: I know making all buttons alike probably aids the visual appearance of a camera body, but when you are fiddling around in low light they all feel the same and it’s easy to press the wrong one. Tactile buttons would be nice; one’s that feel different and are readily identifiable by touch. They could be alternate sizes, have a textured or imprinted surface. A rubberised and larger DOF button would be a big improvement too; that tiny little button is just too slippery and awkward to locate. I also still have problems pushing down the joy-stick Multi-Control button to access the Quick Control screen, so much in fact I’ve mapped that to my Set button. I like analogue controls and the Control wheels are great. They just make more sense and are so much easier to operate than digital equivalents. The three principals settings for any photograph are, shutter speed, aperture and ISO. We have Control dials for the first two so why not for ISO? One the front of the thumb grip perhaps?
- An Eyecup that doesn’t fall off: another one of my major gripes (that I know is an impossible request). For a camera that costs as much as the 5DMII, the crappy little plastic eyecup is truly awful. If you’ve never had reason to remove this it may have remained in place just fine. If you use an angle finder like me, you’ll know, sooner or later the eyecup it won’t grip anymore and will easily come off. Now I always travel with a spare.
You’ll notice I haven’t mentioned resolution in any of the above and that’s because I’ll take it as a given that resolution will be increased and I suspect, to around 24 mp or greater. An increase in resolution is sure welcome, but 21 mp is pretty good for me, so it’s just not on my list. Also my last few items are mainly issues I have with the current body style and operation, most which I’ve mentioned before, and which I hold little prospect of ever being addressed by Canon.
Well, those are my wishes, now let me hear yours. Comments welcome…
When All Else Fails – The Gold-N-Blue Polarizer
- At September 08, 2010
- By John
- In Accessory, Gadget, Gear, Gear Review
- 3
Equipment & Techniques
As a amateur photographer and working man, achieving quality time for my hobby is more often than not quite difficult. For me, the main opportunity often turns out to be the family summer holiday. However, unless you’re off to sunnier climes and spectacular scenery overseas, here we have to put up with the unpredictability of the British climate. Many’s the time I’ve crawled out of bed at some ungodly hour, half asleep, and set off in the dark to some distant location
Read More»Lowepro Pro Trekker 400 AW Backpack Review
- At June 10, 2010
- By John
- In Backpack, Bag, Gear, Gear Review
- 14
Review of the Lowepro Pro Trekker 400 AW Photo Backpack
I must confess to being bit of a camera bag junky. I’ve tried loads of bags and have so far failed in my quest to find THE prefect camera backpack. I guess the perfect backpack simply doesn’t exist as there is always something that could be improved, and personal tastes vary too. However, the Lowepro Pro Trekker 400 AW for me, comes seriously close.
By far the majority of my previous purchases have been bags by Lowepro as I’ve found them particularly well constructed, but I have also sampled bags from Kata, Crumpler and Tamrac. I’ve read countless reviews of bags too numerous to mention, and have scoured the net for useful user feedback, so with this particular purchase I took my time and did my research before I was ready to part with my hard earned cash.
Snow, Fog an Accident and a New Lens
Latest Picture
It’s funny how things come about. Last week I was out with a group of photographers down on the rocks at Robin Hoods Bay on the Yorkshire coast. It was an awful day, extremely blustery, with rain, hail sleet and snow. Unfortunately for me, whilst briefly turning to get something out of my camera bag a huge gust of wind blew my tripod over and my Canon 5D Mark-II complete with my 24-105 f/4.0 lens ended up face down in a rock pool. Luckily neither got fully submerged as the kit was covered with an Op/tech rain sleeve (highly recommended at 2 for just over a fiver!) which probably saved my bacon. I retrieved the equipment in a flash (well as fast as this old frame can move in a blizzard) and dried everything off the best I could. Thank god for weather sealing on the 5D MII, I think my old 5D M-I would have been done-for had the same happened to that.
The camera seem to work OK but the LCD didn’t come back on for a few minutes. A small amount of water seemed to have got in past the rubber stop on the Extension System terminal on the base of the camera, but after cleaning and drying this out all seemed OK. However, I had been about to attach my Hitech filter holder adapter ring to the lens, which I continued to try to do but it wouldn’t attach. On close inspection I saw the outer threaded rim of the lens was cracked in two places. Dam, that was a blow (or words to that effect!).
Alright accidents happen, I’m insured, I can get it repaired I thought. But I’ve booked a holiday at Staithes in a couple of weeks, and have a photo trip down to Dorset at the end of the month. This is my work-horse lens…what I’m going do if it’s not repaired on time?
Well I guess you know the answer, yep I bought a new lens. I’d always fancied trying one of those cheap Canon EF 50mm f/1.8 primes that get pretty good reviews. They used to be really really cheap but now have crept up to eighty odd quid. Still worth as punt perhaps at that price. However, after several hours reading many online reviews I decided that forking out an extra couple of hundred for the EF 50mm f/1.4 was perhaps a better investment and Amazon duly got some more of my money.
The lens arrived yesterday just after I’d taken the kids to school, complete with UV filter and lens hood (all extras of course). It had snowed the night before and was really foggy, but I had to go out and try it. Above is one of my first efforts (converted to monochrome), rather minimalist I know, but I thought the tree, especially with the broken branch made a good subject against an almost totally white background. As for sharpness, it seems ok, a little too early to tell, but not bad. Contrast, well not the best subject to tell with either. But you can be sure I’ll let you know how this lens performs real soon.
Resources
Canon EF 50mm f/1.5 USM Les Review
Op/tech Rain Sleeve
Op/tech Rain Sleve from Crooked Imaging