New Zoom Lens from Canon
- At November 14, 2014
- By John
- In Canon, Lens
- 0
Mark II of the Popular 100-400mm F4.5-5.6 L Lens Announced
Of particular interest to myself, the much rumoured replacement from the 16 year old, EF 100-400mm f/4.5-5.6L, push-pull, zoom lens has finally been announced from Canon.
Read More»Antarctica Video
- At April 11, 2014
- By John
- In Antarctica, Travel, Uncategorized
- 0
Courtesy of Chris Sanderson, there is now an 18 minute video of my trip with Luminous Landscape to Antarctica earlier this year. It is really a taster (advertisement) for future LuLa trips there, but contains some stunning Antarctic scenery and wildlife, and for me a great reminder of such good times. I had hoped to embed the video below but unfortunately their privacy setting’s won’t allow that, so you just have to click on the screen grab below linked to the video. It’s well worth a watch. and there’s even the odd glimpse of yours truly.
Read More»Monkey in The Eye
- At September 02, 2011
- By John
- In Magazine, Published Picture
- 0
Published Photograph
It’s always nice to get some recognition when you are a photographer, especially as an amateur like myself, so it was with great pleasure that I found out that one of my pictures had been selected for the cover page of August-September edition of The Eye Magazine. The Eye is a free bi-monthly magazine published in Uganda where I have been working and is an insiders guide to touring and travel in Uganda. You can generally find free copies in all the major hotels and on the major airlines travelling there, so it has quite an extensive circulation within the country.
Read More»New Prototype 200-400mm f/4.0 Zoom Lens goes on Show from Canon
- At February 08, 2011
- By John
- In Gear, Lens
- 0
Equipment Announcement
“LAKE SUCCESS, N.Y., February 7, 2011 – Canon Inc. today announced the development of a new super-telephoto lens, the EF 200-400mm f/4L IS USM EXTENDER l.4x, for use with all EOS SLR cameras. A prototype of the new lens will be exhibited at the CP+ tradeshow, held in Pacifico Yokohama, from February 9 – 12, 2011.”
Much to everyone’s surprise Canon announced a whole host of stuff yesterday including two new entry level DSLR’s, two new flash units, and upgrades to their wildlife long focal length specialist lenses. The latter comprise the EF 500mm f/4.0 MII and the EF 600mm f/4.0 MII, both of which are expected to be commercially available some time in March, but as you’d probably expect these are going to be very, very expensive and as such only available to serious pro’s and those blessed with wads of spare cash.
However, what really caught my eye was the announcement of a prototype EF 200-400mm f/4.0 IS USM EXTENDER 1.4x lens. That’s some title! Nikon wildlife photographers have long since been extolling the virtues of the Nikon 200-400mm f/4 AF-S lens which also received an upgrade last year. This is a lens favoured by British wildlife photographer Andy Rouse and is generally accepted as just about the best multipurpose, wildlife zoom lenses around. It’s also a gap in the market place that Canon had failed (as yet) to match. Canon do of course have their EF 100-400mm f/4.5-5.6mm IS USM lens ( one of which which I own), but this design is getting quite long in the tooth and whilst it performs admirably on sensors sizes up to 12mp, todays 21mp plus sensors highlight it’s short comings in the digital age.
If you examine the press release picture above you can’t help but notice that peculir looking bulge on the left side rear of the lens. This houses the in-built 1.4x extender, and has a lever just above to engage or disengage the extender elements. The 1.4 extender can boost the zoom range from 200-400mm to 280-560mm. On an APS-C sized sensor then this would be the equivalent of a staggering 448-896mm! However, don’t get your hopes up as Canon failed to state whether this configuration will autofocus on the semi-pro and consumer bodies. The new lens will feature Canon’s high-performance Image Stabilizer technology and advanced optics materials such as fluorite crystal to provide top notch optical performance.
You may also notice the camera has a fixed tripod collar, 3 stabilization modes and also features a Focus Pre-set button. All new stuff.
A a wildlife photographer this sounds like a dream lens and one I’d truly love to own, however it is just a prototype and still obviously at the development stage. I just hope that when it does eventually hit the market it’s not going to be priced so ridiculously that photographers like myself will never be able to afford it. Maybe I am just dreaming though!
Uganda Wildlife – Monkey Business
- At August 18, 2010
- By John
- In Wildlife
- 0
Latest Picture
Since I haven’t posted much the last few months I thought I’d take the easy way out and post some pictures. This was taken in Entebbe, Uganda, not far the hotel I was staying in before travelling out to Lake Albert and my work on the oil rig. There’s a few troops of Vervet monkeys that hang around the wooded areas near the hotels, especially the Botanical Gardens and the Wildlife Centre. They are habituated so you can get quite close. Being monkeys however they don’t stay still for long and most of my shots were blurred. This one of a youngster astride it’s mothers head turned out quite nice. The late afternoon light helped. The one below of the inquisitive youngster was taken a while back. Both shot with my Canon 5D Mark-II with the EF-100-400 zoom.
I hope you enjoy them!
The Eagle and the Snake
- At September 20, 2009
- By John
- In Uganda, Wildlife
- 0
I’ve been lucky enough to work in Uganda over the last couple of years and this has given me the fantastic opportunity to photograph some of Uganda’s amazing wildlife.
I certainly don’t profess to be any sort of bird or wildlife expert, far from it in fact, and before working in East Africa I could hardly tell one bird species from another. However, when it comes to birds of prey, even they generally grab the attention of many a non-ornithologist.
The best photographs require a high degree of luck and this one was no exception
As they generally say, the best photographs require a high degree of luck and this one was no exception. A friend and I had gone for a drive within the Kabyoya Game Reserve, a small region around Kaiso on the eastern shore of Lake Albert in Albertine Rift valley of north west Uganda. We were not far from the Lake Albert Safari Lodge and much of the surrounding high savannah grass had been burnt to the ground in the annual burnings. This is a good time for the raptors, as their normally hidden prey is revealed and less well camouflaged against the blackish brown, scorched earth and stubble. Prey is on the move too, trying to escape the encroaching fire. The Brown Snake Eagle was spotted perched upon a tree top and we pulled over to take some photos. My fellow photographer sported a Pentax with 50-500mm Sigma zoom lens, me with my trusty Canon 5D and my EF 100-400mm, f4.5-5.6 Zoom. Contrary to most wildlife blogs we don’t have time for tripods and hours of waiting, with just an hour or two to catch what we can. Everything is shot hand-held from the vehicle window. Image stabilisation (IS) is invaluable.
A Fleeting Glimpse
I only managed to fire off a couple of frames (being on the passenger side) before the eagle took flight. Another disappointment. We drove on, just passed the tree, when suddenly we were aware of a faint flash of something light coloured off to the drivers side, the next thing I hear is “It’s got a snake!“. The eagle had swooped down the other side of the tree and caught a cobra; the flash being the underbelly of the snake as it writhed around the Eagles talons, one talon firmly fixed upon the cobras head. We pulled up as close as we dare and started shooting as fast as possible. I had to shoot across the driver so there was no time for even thinking about composition, just grab the photo. I managed to bag 18 frames during which the eagle bit off end of the snakes tail, cloaked it’s prey, then flew off back to the top of tree grasping the wriggling cobra. I kept my camera set on AV (aperture priority), aperture wide open at f/5.6, with only the centre focus point enabled. I tried to focus on the eye and quickly re-frame. It usually works .. some of the time.
Initial Disappointment
I was pretty sure I’d bagged a decent shot but joy turned to bitter disappointed when I viewed the frames in Lightroom later on. A long blade of dry, parched, unburned grass, arched over and blurred, appeared in the foreground of every frame, passing right across the eagle. Of course I didn’t even notice that when shooting, my eyes and lens just focused upon the eagle. The burnt stubble in the background was almost as dark and a similar colour to the bird, so the frames lacked contrast. Several frames were too blurred and beyond redemption and none of the snake parts were in sharp focus. They seemed like a lost cause.
Re-processing worth the Effort
Several months later however, I took another look at the images. They really they weren’t that bad. Perhaps I’d been too critical at the time. It was OK that the snake wasn’t that sharp, as long as the eagle was. Now I’m not usually one for spending time attempting photo-manipulation in Photoshop; I’m not particularly great at it, and more often than not it never quite come out looking right. However, this was one time to try. I patiently cloned out the offending blade of grass, together with a distracting leaf in the foreground, adjusted the contrast, clarity, vibrance and saturation to make the bird’s colours stand out as much as I could against the brown background. To finish off I applied a gradual blur to the background to accentuate the lens Bokeh, sharpened the eagle and cropped the frame. This did the trick. Now I had an exciting wildlife photograph, one that I was more than pleased with.