A Windy Day in Derbyshire
- At October 01, 2010
- By John
- In Location, UK Landscape
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Photographic Location & Workshop
Last week I was a budding participant on one of Doug Chinnery’s landscape photographic workshops. Doug is a professional photographer that just so happens to live not far from where I live and whom I met at my local photographic club in Worksop last year. I was much impressed by Doug, not just his superb photography, but with his down-to-earth approach and willingness to share his knowledge with fellow photographers, something that many other expert photographers’ seem almost reluctant to do.![]()
Sadly for our foray into the Hathersage area of Derbyshire that day we weren’t blessed with good weather and my 5:00am pickup in the dark for sunrise seemed somewhat in vain. Our rendezvous with two other fellow photographers just below Higger Tor ended up in a rather hasty retreat to Grindleford station for some shelter from the rain and wind, and chat about photography and a welcome cup of coffee. With no abate in the weather one member decided to call
it a day. However after fuelling up with a hearty, full English breakfast in Hathersage a second attempt was made at Higger Tor, but high winds prevented any photography on the top and grey skies and eventual rain brought that sessions to a close.
Doug then took us down to an area of birch trees above Lawrence Field well away from the windy tops and by now patches of dappled sunlight were starting to appear. This was quite different photography from what I’d normally attempt and to be
honest I was well out of my comfort zone here. However Doug encouraged us to shoot tree trunks, grassy tussocks and I even and a few (albeit unsuccessful) attempts at some macro photography.
After a lengthy spell there it was off back down to the rather quirky, but excellent Grindleford Station Cafe for some hot chocolate and cake. Whilst gorging ourselves on some inordinately well proportioned slabs of date and walnut cake, Doug took the opportunity to download our CF cards direct to his iPad and proceeded to present us slideshows of our efforts. This was really useful as we got to see each others work and discussed what worked and what didn’t. The iPad is a really neat device, has a great screen and is ideally suited for viewing and backing up RAW files in the field. It beats devices like the Epson P-7000 viewer hands down in my opinion, and there are already RAW editing apps around too (that’s another gadget to add to my wish list). It’s a pity they don’t make one with more than 64Gb memory, but I guess that will come eventually.
By that time the weather was beginning to look quite sunny so we went to Padley Gorge and spent a couple of hours trying out all sorts of shots. What a great place it is and believe it or not it was the first time I’d been there. The leaves are just starting to turn, so it’s not quite the best time, yet but there’s not doubt I’ll be returning here soon. One of the classic shots is off a large old mill stone underneath an oak tree. I tried many compositions of but none that really worked when viewed on my monitor back home. The sunlight was quite strong and I ended up with many many shots with burned out highlights. I should have waited till the the sun was hidden by the clouds. If you want to see how it should be shot check out Doug’s version here. I did however get a rather nice but querky shot of a curtain of moss/weed behind a small water fall which made an almost abstract image.
We decided to set off for Stanage Edge for sunset, but spotted some fantastic light and sunbeams (Crepuscular rays as Dough pointed out!) over the hope Valley on our way. We stopped on Fiddlers Elbow road off the A6187 about 3/4 of the way up to Higger Tor but sadly the sunbeams and gorgeous light did not reappear.
My favourite image of the day is the one at the top of this blog of a small gap in the wall and out of focus trees behind. Nothing spectacular or compositionally great but juts one I like. Maybe I’ll attempt it again well the autumn leave are in full colour and use a slightly wider aperture blur the background even more.
View Derbyshire Photo Workshop in a larger map
I can’t say I came away with any memorable images, but I certainly came back with many new locations to try, an improved compositional knowledge and a list of new subjects to try. If you’re a budding photographer and want to take your skills to the next level and learn more then workshops are a great way forward, and fun too.
Wish List for the Canon 5D Mark III
- At September 14, 2010
- By John
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Equipment Editorial
Now that I’ve proclaimed my top ten features I’d like to see in Lightroom 4. I thought I’d do the same for my other weapon of choice, my Canon 5D Mark II. The 5DMII was released back in September 2008, so has now surpassed that 18-24 month period in which camera models are typically superseded by newer and more feature packed versions.
The annual Photokina show in Cologne is fast approaching too, which is normally the stage for the major manufacturers to announce their latest and greatest. Having said that, Canon have recently announced several new lenses, a new EOS 60D camera body, and probably stunned the Camera world by announcing the largest ever CMOS sensor at 120 MP. So can we expect anything new, well if you take heed of the latest internet rumours there will probably be no 5D Mark III till well into 2011?
The current 5D Mark II is a fine camera and for many has been proclaimed by many as just about the best camera out there for landscape photographers. There’s no denying it’s been a huge hit both with professionals and serious amateurs alike and in capable hands can produce superb images. It does have it’s ‘Canonesque’ quirks however, many which I highlighted in my article Canon 5D II – One Year On, and I doubt Canon would ever radically change or vary from their basic design, so I seriously doubt many of my wishes will be met. I’m not a huge fan of the video functions, which looking at the 7D and 60D seems to be the headline grabbing features. It’s not that I dislike video features, but just that being a still’s photographer, they are just not on my radar as priority items. Lets get back to basics please. Anyway here are my top ten, in no particular order:
- Built in GPS: this must be a long overdue feature and probably an easy one to implement. There are many GPS tracker devices out there (I have an AMOD AGL 3080) and the prices have dropped significantly in the last year to where you can pick one up for not much over £60, so the hardware addition should not be that expensive. Currently however, getting GPS data back into your RAW file EXIF metadata is still a tad fiddly although can be achieved by free software. I certainly hope Canon don’t take the route of an add on GPS device that sits in the hot shoe, that would be disastrous and no doubt expensive to the consumer. If GPS were in-built this would be an upgrade deciding feature for me.
- In-Built HDR processing: a complete wild card this one, but wouldn’t it be nice. If know the purists will always want total control on merging multiple exposures, but I’m sure Canon could come up with something pretty good.
- Electronic Level:
this feature is present in the new EOS 60D and has been a regular features on competitors cameras for a while, so a must for any new Canon Camera now. At last we’ll be able to ditch the hot-shoe bubble levels, but we need to be able to see this through the viewfinder not just on the rear screen. - Quicker and Better Focusing: an absolute no brainer here, the current 9-point focusing system is long overdue an update, and many had hoped would have been updated with the 5DMII. The 7D features a 19-point focus system and even the new 60D sports a 9-points system. Improved focusing in low light would be a big hit too.
- Bigger, Better and Brighter Screen: the 5DMII screen was a big improvement over the 5DMI, but I think there is still room for a much, much bigger screen. Wouldn’t it be nice to have one where we can actually use to made subjective decisions on our photographs. Oh and please, please can we have a one-touch button to zoom straight in for a 100% preview!
- 3 Stop or greater Compensation: It’s present on the 1D’s and needed on the 5D Mark III. Many photographers are now experimenting with long exposures and filters such as the Lee Big stopper and B+W’s 10-stop filter have greatly extended the landscape photographers day. You can just about see through the 10 stop filters with Live-View in normal light, but forget it in low pre-dawn or evening light. Canon need to take heed of this expanding and popular aspect of photography and allow tLive-view screen compensation so we can compose, focus, and adjust grads even through a 10-stop filter.
- User Configurable Auto-ISO: auto-iso is a great feature but it’s a poor implementation of this on the 5DMII. Currently Auto-Iso chooses ISO values between 100-3200. Please let the user specify the upper and lower limits. It seems Pentax can manage this, so why not Canon?
- Proper Camera User Settings: again, a great idea but a totally useless implementation. User settings should be a useful starting point only. If you then adjust the aperture, ISO or shutter speed it should remain at those values. If you (like just about every other photographer I hasten to guess) have probably got got your auto-power off set for a short interval (as we all wish to preserve battery life), then as soon as your camera powers off, your User Settings are set back to their starting values. I don’t know any photographer uses the same settings for every photograph, so why on earth make them work that way? Make them work properly and give us several more!
- Ergonomics – Tactile Buttons & Analogue Controls: I know making all buttons alike probably aids the visual appearance of a camera body, but when you are fiddling around in low light they all feel the same and it’s easy to press the wrong one. Tactile buttons would be nice; one’s that feel different and are readily identifiable by touch. They could be alternate sizes, have a textured or imprinted surface. A rubberised and larger DOF button would be a big improvement too; that tiny little button is just too slippery and awkward to locate. I also still have problems pushing down the joy-stick Multi-Control button to access the Quick Control screen, so much in fact I’ve mapped that to my Set button. I like analogue controls and the Control wheels are great. They just make more sense and are so much easier to operate than digital equivalents. The three principals settings for any photograph are, shutter speed, aperture and ISO. We have Control dials for the first two so why not for ISO? One the front of the thumb grip perhaps?
- An Eyecup that doesn’t fall off: another one of my major gripes (that I know is an impossible request). For a camera that costs as much as the 5DMII, the crappy little plastic eyecup is truly awful. If you’ve never had reason to remove this it may have remained in place just fine. If you use an angle finder like me, you’ll know, sooner or later the eyecup it won’t grip anymore and will easily come off. Now I always travel with a spare.
You’ll notice I haven’t mentioned resolution in any of the above and that’s because I’ll take it as a given that resolution will be increased and I suspect, to around 24 mp or greater. An increase in resolution is sure welcome, but 21 mp is pretty good for me, so it’s just not on my list. Also my last few items are mainly issues I have with the current body style and operation, most which I’ve mentioned before, and which I hold little prospect of ever being addressed by Canon.
Well, those are my wishes, now let me hear yours. Comments welcome…
Snow, Fog an Accident and a New Lens
Latest Picture
It’s funny how things come about. Last week I was out with a group of photographers down on the rocks at Robin Hoods Bay on the Yorkshire coast. It was an awful day, extremely blustery, with rain, hail sleet and snow. Unfortunately for me, whilst briefly turning to get something out of my camera bag a huge gust of wind blew my tripod over and my Canon 5D Mark-II complete with my 24-105 f/4.0 lens ended up face down in a rock pool. Luckily neither got fully submerged as the kit was covered with an Op/tech rain sleeve (highly recommended at 2 for just over a fiver!) which probably saved my bacon. I retrieved the equipment in a flash (well as fast as this old frame can move in a blizzard) and dried everything off the best I could. Thank god for weather sealing on the 5D MII, I think my old 5D M-I would have been done-for had the same happened to that.
The camera seem to work OK but the LCD didn’t come back on for a few minutes. A small amount of water seemed to have got in past the rubber stop on the Extension System terminal on the base of the camera, but after cleaning and drying this out all seemed OK. However, I had been about to attach my Hitech filter holder adapter ring to the lens, which I continued to try to do but it wouldn’t attach. On close inspection I saw the outer threaded rim of the lens was cracked in two places. Dam, that was a blow (or words to that effect!).
Alright accidents happen, I’m insured, I can get it repaired I thought. But I’ve booked a holiday at Staithes in a couple of weeks, and have a photo trip down to Dorset at the end of the month. This is my work-horse lens…what I’m going do if it’s not repaired on time?
Well I guess you know the answer, yep I bought a new lens. I’d always fancied trying one of those cheap Canon EF 50mm f/1.8 primes that get pretty good reviews. They used to be really really cheap but now have crept up to eighty odd quid. Still worth as punt perhaps at that price. However, after several hours reading many online reviews I decided that forking out an extra couple of hundred for the EF 50mm f/1.4 was perhaps a better investment and Amazon duly got some more of my money.
The lens arrived yesterday just after I’d taken the kids to school, complete with UV filter and lens hood (all extras of course). It had snowed the night before and was really foggy, but I had to go out and try it. Above is one of my first efforts (converted to monochrome), rather minimalist I know, but I thought the tree, especially with the broken branch made a good subject against an almost totally white background. As for sharpness, it seems ok, a little too early to tell, but not bad. Contrast, well not the best subject to tell with either. But you can be sure I’ll let you know how this lens performs real soon.
Resources
Canon EF 50mm f/1.5 USM Les Review
Op/tech Rain Sleeve
Op/tech Rain Sleve from Crooked Imaging
Shooting the Antelope
- At January 02, 2010
- By John
- In Location, USA Landscape, USA Southwest
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Photographing a Classic Arizona Location
Despite the title this article has nothing to do with wildlife; quite the contrary in fact for this is about my visit to Upper Antelope Canyon, the beautiful, atmospheric and most famous slot canyon, situated near Page in Northern Arizona.

Spirit of the Navajo – Ghostly light beans in Upper Antelope Canyon
Antelope Canyon (Upper Antelope Canyon especially) is one of those classic photographic locations that has become extremely popular over the last 15 to 20 years or so, and to some almost a bit of a photo cliché, but there’s no denying that it produces some wonderful photographic opportunities.
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