Never Trust the Devil
The Devils’ Golf Course, Death Valley
This is a place I won’t forget too easily as it was ‘nearly’ the site of one of my photographic disasters. I’d been up since before 4:00 am that day and had driven down from our hotel at Furnace Creek for a dawn shoot at Badwater. Unfortunately the dawn sky colour failed to really materialise and the desired reflections in the sparse salt pools were a bit meek to say the least. Never-the-less
Read More»Great British Landscapes – A New Magazine Website from Joe Cornish
- At November 14, 2010
- By John
- 3
WebSite Review
Joe Cornish, the renowned, and probably the most famous contemporary British Landscape Photographer has, in conjunction with fellow photographer Tim Parkin, launched a new magazine style website entitled Great British Landscapes (LandscapesGB). The site is the brainchild of Tim Parkin, and in their own words they describe the partnership as Tim being the driver and Joe as the Navigator. The site seems aimed at show casing contemporary ‘great’ British photographers, not only their work, but their methods. However the sites mission statement quotes:
“We hope in time that LandscapeGB will develop its own momentum, with contributions from anyone and everyone from the British landscape photography community who wishes to participate.”
MAGAZINE Content
The magazine also includes guides to locations, photography techniques, book reviews and processing techniques. Issue one contains an excellent guide to Brimham Rocks in Yorkshire, an article from Joe on “Shooting into the Sun”, and a run down on some of the winning photographs this year’s Landscape Photographer of the Year competition (LPOTY). It will also contain video content to download and the premier issue provides a screencast by Joe on his post processing of one of his older photographs that was recently rescanned on Tim Parkin’s drum scanner. This particular screen cast is over an hour long, and many readers will be no doubt surprised to find out just how far Joe has gone into the realms of digital processing within Photoshop.
On the About page the magazine lists the type of landscape photographers that they are going to look at. It’s no surprise classical photographers such as Ansel Adams, Eliot Porter, David Muench and Edward Weston are listed but also contemporaries such as David Ward, Andrew Nadolski and Michael Kenna are also included. Local photographer (and rising star) Doug Chinnery is also listed.
Of particular note is the location guide with the one for Brimhan Rocks providing the precise locations for many of Joe’s classic shots, including his well know shot for the National Trust. This contains a precise location guide, details of where to park, how to get there, links to Google maps and panoramas and even some information on the geology. This is precisely the level of detail a photographer like myself likes to see and I’m sure this feature alone will prove to be very popular. We already have ‘JCB’ (Joe Cornish Boulder!) fully engraved into photography speak, so I can see bagging a JCL (Joe Cornish Location) becoming the next big thing from bagging a Scottish Munroe!
New issues of the magazine are to be released on a bi-monthly basis.
The Good and the Bad
The website is written in a blog style and very nicely presented and yes, like many blogs you can add comments and feedback. It is clearly still ‘work-in-progress’ but it’s good to see you can comment and add requests. The articles so far seem quite good and provide more depth and information than comparative magazine articles. The screencast of Joe is enlightening in seeing at ‘master at his work’, but at over an hour long, it is rather tedious to say the least. Joe will seem finicky beyond belief to most and only absolute Joe Cornish devotees and complete Photoshop anoraks would be able to watch this in it’s entirety in one session. It took me about 4 sittings to get through it all. As it’s Joe Cornish it will be watched; Joe’s pictures on a cover of a magazine increase circulation, and there are not many British photographers who can do that. However any similar video by A. N. Other on YouTube I feel would fade into obscurity. If this is to be part of a commercial venture I think the screencasts need to be much shorter, snappier and edited for content.
You’ll notice I stated ‘commercial venture’, yes I’m afraid the content is not free but can only be obtained on a subscription only basis. Currently you can acquire access to individual issues for £3 each or purchase a block subscription for 6 months or a year bringing the price down to £2.50 and £2.00 per issue respectively. The good news is that Issue one is free, all you have to do is register so you can test drive it yourself.
Summary and Comment
I can’t help but seem a little surprised that a photographer of Joe Cornish’s renown is entering into another commercial venture. I’ve already seen the proliferation of his elegant greeting cards and am left wondering whether he is exploiting his notoriety or this is a economic requirement. If Joe Cornish can’t make a dam good living out of selling his prints then I guess no landscape photographer within the UK can. If it’s the latter then it’s a real pity, since someone of Joe’s talent within the US would be up there with the millionaire photographers like Peter Lik.
The site content has the potential for it to be a real winner and we’ve longed for a UK site that can encompass British Photography in the same way the Luminous Landscape does for those elsewhere. If you compare Great British Landscapes (LandscapesGB) the the current, rather staid and repetitive UK photography magazine fodder, then it wins hands down. However it’s on the internet where most, if not all expect content to be free and it’s up against very stiff free completion. Will it succeed, well with name of Joe Cornish attached, I guess it probably will. I would like to see a downloadable PDF version included with the price however.
Will I subscribe? Well I’m not sure yet, but when I’m overseas it may just seem a too tempting a read. Go ahead and give Issue One it a try and see what you think.
A Snapshot of Uganda
- At April 05, 2010
- By John
- In Location
- 1
Field Location Article
I’ve not done this before so don’t expect too much, but all of my photographic location articles been penned post event, back at home in front of my desktop computer, complied at leisure. This one however, is from the field. As I write I’m at a camp based in North West Uganda along the Eastern shores of Lake Albert. I’m sat in my cabin looking out over thatched mud huts of the local village, situated on a grassy flood plane, about 600 yards inland of the shoreline, with the blue mountains of the Congo in the distance on the western shore shrouded in early morning mist. The morning sunlight is golden, the frogs are still croaking in the ponds from last nights downpour, the village is quiet and the scene is tranquil. It’s just before eight in the morning.
Actually I’m at work, my day job so to speak, employed as a geologist during the drilling of an exploration well looking for oil. The well is nearing completion, my tasks are almost done and I’m winding down, getting things in order before my departure and a well earned rest in a few days time. I’ve done this sort of thing most of my working life, spending several weeks at a time away from my family and home, followed by several weeks at home. It may seem odd to some, but to me and my family this is our normal life.
I digress however. The reason I write is that this location is quite beautiful and I thought I’d like to share a few pictures with you. This is not because they are of any particular photographic merit, but just to render a brief snapshot of this small part of Africa and let you see why I’m so lucky to be able to work in a place like this. A glimpse into an area where the tourist will never see; a glimpse into the lives of real Africans.
It’s been a rather busy trip for me this time and the long hours had taken their toll. Although I always tend to bring a bag of camera gear along, for the first 3 weeks or so I was unable to find time nor the energy to even leave the compound never mind get my camera out. It remained firmly in the bag. The locations I’d worked on my last few trips had been in thick bush and forest and none had provided anything of significant photographic interest from a landscape and wildlife point of view. I had expected this location, which not far from the last one, to be the same. I was wrong, and sadly I didn’t bring a tripod nor any ND grads this time, something I now regret. It’s very easy to get blasé, just do your job, and want to get on that plane home sometimes. So, photography here was going to be very much of the tourist kind, just snapshots.
Over the last 2 or 3 days, my workload has reduced somewhat and I have had time for several walks through the village and down to the lake and to explored the shorelines and small lagoons in between. At the moment most of the small lagoons and ponds are full of water hyacinth and each one is a resplendent carpet of pink blooms. In places the blooms skirt the shoreline too. Heron, Egret, Open-billed Stork and Cormorant occupy the braches of one of the sparse trees in the late afternoon sunlight by the ponds. Marabou stalks and Squacco Herons are often to be seen wading the ponds hunting for frogs, and African Jacana can be seen flitting flimsily across the waters vegetation. On one occasion a couple of resplendent Grey-crowned Cranes were spotted dancing a courtship ritual in the late evening light. The mornings and evenings bring squadrons of birds travelling to and from their perch to the Victoria Nile delta just a few miles north of our location, a place of plenty and a haven for wildlife.
The beach is narrow and none existent in places, but still provides a place of fun for the local boys, a party of which decided to follow me and a co-worker on one of my walks. My camera provoked interest and a source of great amusement especially when shown their pictures on the display. The villagers here are predominantly fisherman, as there is little sign of cultivation and small wooden fishing boats are scattered here and there, in twos and threes along the sandier sections of the shoreline. Some fishermen can be seen at work in the late afternoon, not far from the shore, but by far the greatest activity happens at night, especially around the new moon, when the black of night is littered by polka dots of yellow oil lamps on hundreds of fishing boats scattered across the lake. The fish is good too, as it often ends up on our plates.
Village life is very simple here, and to be honest the villagers have quite a meagre existence. There is no running water or electricity, no modern luxuries, and every morning and evening we see the women and children carrying huge plastic jerry cans of water on their heads from the nearby well. One evening a child, a young girl who couldn’t have been more than about five years old, and particularly small, dropped her jerry can. She was all alone. It was so heavy she couldn’t even lift it off the ground. I watched from a distance as she struggled several times trying before she ran off leaving the jerry can on the ground. She returned a few minutes later with an older girl, who was probably only two or three years older, and not much taller. But between the two of them they lifted the heavy, water laden, jerry can back on to the little girls head and off she waddled as best she could. No western child could do this, but here it’s part of life.
Home for the locals is a simple one room mud hut with a thatch roof, dirt floor and a small mud shed or outhouse which serves as the toilet. Food is cooked on a small clay oven or an open fire. Some I believe may have gas stoves but I see little evidence of that in the village nearby. Most of the children run around in ragged clothes, the very young ones are often naked, and some unfortunately display distended stomachs, a sign of malnourishment. Many infants seem very small , especially short and under developed for their age, although the older children seem happy and much healthier than the young ones. There’s obviously no nutritious baby food available here. Compared to western standards of any order this is a harsh existence, yet the people seem happy, good mannered and only inquisitive of their new temporary neighbours. We have experienced only happy smiles and no animosity; something I doubt would happen in our world should you find a drilling rig at the end of your garden!
On Sundays the women and children (didn’t see any of the men) can be seen wearing their finest walking off to church in an adjacent village. The majority of children are barefoot even then and I guess for many (if not all) they probably only have one Sunday outfit. The women are colourful, with brightly coloured wraps and dresses, some adorned with bangles and beads, one with a blue and white checked hat. Sometimes the women can be seen washing clothes in a large metal basin, others go down to the lake. The clothes are then scattered on the thatch roof or bushes to dry. A few of the huts are adorned with some simple wall paintings, one which caught my eye, with two white hearts. A love nest for someone perhaps?
It’s the rainy season here and nothing provides more drama than stormy skies in Africa, especially at sunrise, just after a night storm. We have experienced some incredible sunrises here on this trip. Unfortunately, I’m often very busy at that time of the morning as the oil industry has a peculiar habit of having to produce daily reports at six am. Bonkers I know, but that’s how it’s always been done and it doesn’t look set to ever change. Consequently, although I get to see the sunrise, I seldom get photograph it. On top of top that we also have a daily meeting at 7:30am too.
The storms, which can occur at any time of the day, most frequently seem occur in late afternoon or evening, and can bring torrential downpours. They don’t last long but in that brief time the ground rapidly becomes water logged and floods, leaving a muddy mess. It at this time I’m pretty glad I’m not in a mud hut.
In other places I been in Uganda you’re often asked for water bottles or quite often money, but there’s little evidence I see of that here. All the boys asked of us was a football. I so wish I had one to give to them.
Shooting the Antelope
- At January 02, 2010
- By John
- In Location, USA Landscape, USA Southwest
- 2
Photographing a Classic Arizona Location
Despite the title this article has nothing to do with wildlife; quite the contrary in fact for this is about my visit to Upper Antelope Canyon, the beautiful, atmospheric and most famous slot canyon, situated near Page in Northern Arizona.
Antelope Canyon (Upper Antelope Canyon especially) is one of those classic photographic locations that has become extremely popular over the last 15 to 20 years or so, and to some almost a bit of a photo cliché, but there’s no denying that it produces some wonderful photographic opportunities.
Read More»False Kiva, Canyonlands
- At November 20, 2009
- By John
- In Location, National Park, USA Landscape, USA Southwest
- 1
A Classic Photographic Location – False Kiva
The Magic of Mono
- At October 22, 2009
- By John
- In Location, USA Landscape
- 1
Photographic Location
It is a lake that is not without controversy either. Back in 1941 the Los Angeles Department of Water and Power began water extraction which was to eventually exceeded inflow and as a result the lake level began to drop. By 1982 the lake surface area had been reduced by over 30 percent. This also began to expose submerged tufa towers; large limestone spires formed by calcium waters transported to lake bed by geothermal springs, reacting with the salt-rich lake waters and depositing layer-upon-layer of calcium carbonate over time. It also drastically effected the salinity of the lake, exposing salt rich deposits to erosion and now the lake is 2½ times more salty than the ocean. Not much can survive in that, and not much does (there are no fish), however the lake is home to Artemia monica, a tiny species of brine shrimp, no bigger than a thumbnail, that are entirely unique to Mono Lake.
Local inhabitants formed the Mono Lake Committee in 1978 and many years of legal proceedings and representations followed which have eventually resulted in a directive to reduce water extraction and (hopefully) eventually return the lake to it’s former levels. However the battle still continues on.
Mono Lake and the surrounding area provide a truly unique and interesting landscape but it is the tufa towers that provide great interest to photographers. I’d past through Lee Vining briefly back in 1984, but never visited the tufa areas, now designated as a California State Reserve Park. The Mono Basin Scenic Area Visitor Centre, just off Highway 395 to the north of Lee Vining, includes a variety of exhibits about the natural and human history of the Mono Basin and is a good place to research your photographic location if you have time beforehand. The best area for photographers is South Tufa, on the southern shoreline, where are tufa spires up to 30-ft high and ranging in age from 200-700 years old are exposed, providing a surreal landscape. I didn’t have the luxury of a reconnaissance trip before my dawn shoot, so it was up at 4:30 am and a drive out in the dark for me during my summer 2009 visit.
As I drove out from Lee Vining and turned onto highway-120, there was a beautiful pre-dawn red glow reflected in the lake that made it seem like it was on fire and I began to wonder if my 4:30am alarm call had been early enough. There were other cars in the car park too, so I set off briskly down the wooded walkway in the dim, pre-dawn light with my head torch lighting the way. It’s quite strange visiting a location for the first time in the dark (not the best thing to do), but I didn’t have the opportunity to explore the day before and I could just about make out the shadows of the eerie tufa spires all around. I found three other photographers with tripods already set-up at the beach at the end of the boardwalk, so I set up beside them and began to chat. Luckily for me one turned out to be Ralph Nortstom, a delightful chap, and professional photographer conducting a small workshop. Ralph was kind enough to give me some pointers and shortly I was snapping away with the rest of them. You can smell the salt at Mono lake and as it got lighter I became aware of the millions of lake flies floating on the water and along the shore line which ripple away in vast waves as you walk towards them. Thankfully they don’t bother or bite. As the light gradually increased I became aware of many other photographers arriving and others scattered amongst the tufas. I must have counted over 30, so this is definitely a very popular spot. I went for a walk eastwards through the large shore bound accumulation of tufas and tried several other spots, but soon the good light had gone, but I found exactly the right location for my shot for the following day.
The next morning I was first to arrive, but the pre-dawn glow didn’t seem anywhere near as intense as the day before. The sky was cloudless again too. It was so much easier to find my location this time; it certainly pays to investigate your location beforehand if you can. I had envisaged catching silhouettes and shadowy reflections of a tufa island just offshore looking eastward into a red dawn glow. Despite the lack of brilliance, stopping down increases the saturation and as the light increased I used graduated ND filters to hold back the sky and balance it with the reflections within the lake. I also tried additional ND filters to lengthen my exposure time to smooth out the surface of the lake, an effect I quite like. Soon the golden light had faded and I tried other shots. There are so many unusual shapes within the tufa you can spend ages here. It’s a wonderful spot and I was really pleased with my shot. I hope you agree.
How to Get There
Recommended Links
Photographic Locations nearby
Bodie State Park – quite probably the best ghost town of all.
Sand Tufas near Navy Beach