My LPOTY Rejects
- At October 29, 2013
- By John
- In Competition, UK Landscape
- 1
My Landscape Photographer of the Year (LPOTY) Images
I was persuaded by my friend Doug Chinnery to finally enter some images for the Landscape Photographer of the Year (LPOTY) competition this year, otherwise known as Take-A-View. I’ve often admired the pictures that end up in the book they publish each year but have never bothered to enter. Like probably every other photographer though, I wouldn’t mind seeing one of my own pictures in the book.
Sadly that’s not be as all 11 of my entries fell at the first hurdle. Now they have they have announced the winner (and congratulations to Tony Bennett) I though I may as well show which images I entered. They are all images I really like, and of which I’m quite proud of, but obviously not LPOTY material. My favourite is the “After the Winter Storm” on Rannoch Moor depicting a partially frozen Rive Etive leading up to a beautiful snow covered Stob Dearg of Buachaille Etive Mòr. I had high hopes for this image as it’s easily the best shot I’ve taken this year. It may not have found favour with the LPOTY judges but at least it’s been a big hit on Flickr. For now that will have to do.
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New Gallery Pictures
- At May 15, 2013
- By John
- In Photographic Art, Portfolio, UK Landscape
- 0
Updated UK Landscape Gallery
I’ve at long last added several more images to my UK Landscape portfolio, which I’ve been meaning to do for quite some time. I’ve recreated a complete new set of jpeg files for the whole UK Landscape Gallery, which I thought didn’t quite look their best when viewed on-screen in a web browser, and the watermark logo wasn’t rendered so hot on some either.
Read More»Why Aren’t Extended Timer Facilities Built-in to my DSLR?
- At October 19, 2011
- By John
- In Accessory, Gadget, Gear, Gear Review
- 0
On the weekend whilst photographing the limestone pavement on top of Malham cove in the Yorkshire Dales I lost my remote timer switch. It was dangling from my camera and got tangled up in my tripod legs as I was moving my tripod; one of the legs closed, snapped the timer cord out of the socket on the side of the camera which then disappeared down one of the deep grykes in the limestone pavement, never to be seen again. Thankfully it wasn’t an original (and very expensive) Canon TC-80N3 remote timer; my original TC-80N3 bit the dust last year when I managed to dangle it in salt water on a Scottish beach, this latest disaster was a only a considerably cheaper eBay clone.
Read More»Digital Landscape Photography by John & Barbara Gerlach
- At October 16, 2011
- By John
- In Book, Review
- 0
Book Review
I used to buy quite a lot of photography books, too many according to my wife, but not so many these days. My recent acquisitions are mostly coffee table books from photographers I really admire and aspire to. It’s been a while since I bought anything to do with technique. That’s not to say I think I have perfected my techniques, far from it indeed, it’s just that most books in this category are firmly pitched at the novice or endless photo manipulation in Photoshop. I’m pleased to say
Read More»Shooting the Antelope
- At January 02, 2010
- By John
- In Location, USA Landscape, USA Southwest
- 2
Photographing a Classic Arizona Location
Despite the title this article has nothing to do with wildlife; quite the contrary in fact for this is about my visit to Upper Antelope Canyon, the beautiful, atmospheric and most famous slot canyon, situated near Page in Northern Arizona.
Antelope Canyon (Upper Antelope Canyon especially) is one of those classic photographic locations that has become extremely popular over the last 15 to 20 years or so, and to some almost a bit of a photo cliché, but there’s no denying that it produces some wonderful photographic opportunities.
Read More»The Magic of Mono
- At October 22, 2009
- By John
- In Location, USA Landscape
- 1
Photographic Location
It is a lake that is not without controversy either. Back in 1941 the Los Angeles Department of Water and Power began water extraction which was to eventually exceeded inflow and as a result the lake level began to drop. By 1982 the lake surface area had been reduced by over 30 percent. This also began to expose submerged tufa towers; large limestone spires formed by calcium waters transported to lake bed by geothermal springs, reacting with the salt-rich lake waters and depositing layer-upon-layer of calcium carbonate over time. It also drastically effected the salinity of the lake, exposing salt rich deposits to erosion and now the lake is 2½ times more salty than the ocean. Not much can survive in that, and not much does (there are no fish), however the lake is home to Artemia monica, a tiny species of brine shrimp, no bigger than a thumbnail, that are entirely unique to Mono Lake.
Local inhabitants formed the Mono Lake Committee in 1978 and many years of legal proceedings and representations followed which have eventually resulted in a directive to reduce water extraction and (hopefully) eventually return the lake to it’s former levels. However the battle still continues on.
Mono Lake and the surrounding area provide a truly unique and interesting landscape but it is the tufa towers that provide great interest to photographers. I’d past through Lee Vining briefly back in 1984, but never visited the tufa areas, now designated as a California State Reserve Park. The Mono Basin Scenic Area Visitor Centre, just off Highway 395 to the north of Lee Vining, includes a variety of exhibits about the natural and human history of the Mono Basin and is a good place to research your photographic location if you have time beforehand. The best area for photographers is South Tufa, on the southern shoreline, where are tufa spires up to 30-ft high and ranging in age from 200-700 years old are exposed, providing a surreal landscape. I didn’t have the luxury of a reconnaissance trip before my dawn shoot, so it was up at 4:30 am and a drive out in the dark for me during my summer 2009 visit.
As I drove out from Lee Vining and turned onto highway-120, there was a beautiful pre-dawn red glow reflected in the lake that made it seem like it was on fire and I began to wonder if my 4:30am alarm call had been early enough. There were other cars in the car park too, so I set off briskly down the wooded walkway in the dim, pre-dawn light with my head torch lighting the way. It’s quite strange visiting a location for the first time in the dark (not the best thing to do), but I didn’t have the opportunity to explore the day before and I could just about make out the shadows of the eerie tufa spires all around. I found three other photographers with tripods already set-up at the beach at the end of the boardwalk, so I set up beside them and began to chat. Luckily for me one turned out to be Ralph Nortstom, a delightful chap, and professional photographer conducting a small workshop. Ralph was kind enough to give me some pointers and shortly I was snapping away with the rest of them. You can smell the salt at Mono lake and as it got lighter I became aware of the millions of lake flies floating on the water and along the shore line which ripple away in vast waves as you walk towards them. Thankfully they don’t bother or bite. As the light gradually increased I became aware of many other photographers arriving and others scattered amongst the tufas. I must have counted over 30, so this is definitely a very popular spot. I went for a walk eastwards through the large shore bound accumulation of tufas and tried several other spots, but soon the good light had gone, but I found exactly the right location for my shot for the following day.
The next morning I was first to arrive, but the pre-dawn glow didn’t seem anywhere near as intense as the day before. The sky was cloudless again too. It was so much easier to find my location this time; it certainly pays to investigate your location beforehand if you can. I had envisaged catching silhouettes and shadowy reflections of a tufa island just offshore looking eastward into a red dawn glow. Despite the lack of brilliance, stopping down increases the saturation and as the light increased I used graduated ND filters to hold back the sky and balance it with the reflections within the lake. I also tried additional ND filters to lengthen my exposure time to smooth out the surface of the lake, an effect I quite like. Soon the golden light had faded and I tried other shots. There are so many unusual shapes within the tufa you can spend ages here. It’s a wonderful spot and I was really pleased with my shot. I hope you agree.
How to Get There
Recommended Links
Photographic Locations nearby
Bodie State Park – quite probably the best ghost town of all.
Sand Tufas near Navy Beach
Mesa Arch – The Photographers Holy Grail
- At August 31, 2009
- By John
- In Location, National Park, Travel, USA Landscape, USA Southwest
- 0
An Iconic Location of the American Southwest
We’ve all seen hundreds of pictures of Mesa Arch in Canyonlands National Park in Utah. It’s an iconic image and a location that is hugely popular with photographers from all over the world. You may well think it’s been over-photographed, but the temptation to add this to your portfolio if you get the chance is just too good to an oportunity to miss. It’s almost the holy grail for photographers and besides, for amatuers like myself it’s a chance to compair your own results with the big boys and see